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Sarah K Obina

ONLINE.ART.BLOG

  • ABOUT
  • PROJECTS
    • Traces(2021)
      • Traces (2021) – Proposal
      • Traces (2021) – Journal
      • Traces (2021) – Experimentation
      • Traces (2021) – Critical Evaluation
    • 5:32 (2020)
      • 5:32 (2020) – Proposal
      • 5:32 (2020) – Journal
      • 5:32 (2020) – Experimentation
      • 5:32 (2020) – Critical Evaluation
    • UP TO TWO (2020)
      • Up to Two (2020) – Journal
      • Up to Two (2020) – Exploration
      • Up to Two (2020) – Critical Evaluation
    • UNTITLED (2020)
    • METAL WORK (2019)
    • INFORMATION INSTALLATION (2019)
  • RESEARCH
    • DOUGLAS GORDON
    • BRUCE NAUMAN
    • EXPANDED CINEMA
    • EXPERIMENTAL FILMS
    • SHORT FILMS
    • PERFECT BLUE & BLACK SWAN
    • ANDREA FRASER
    • STEVE MCQUEEN
    • JOAN JONAS
    • LAUREN GAULT: CITHRA
    • ROWDY SS: IS THIS THE END? A SONIC COLLAGE OF MANY ENDINGS
    • JORDAN WOLFSON – ARTISTS FRIENDS RACISTS (2020)
    • BLOOMBERG NEW CONTEMPORARIES 2019
    • DOMINIC HARRIS: IMAGINE EXHIBITION
    • BILL VIOLA
    • HITO STEYERL
    • SANDER BREURE & WITTE VAN HULZEN
    • RAFAEL LOZANO-HEMMER
    • MARINA ABRAMOVIC
    • LANDSCAPES OF MADNESS
    • RIMINI PROTOKOLL
    • IAN CHENG
    • NAM JUNE PAIK
    • YURI PATTISON
    • SHILPA GUPTA
    • DAMIAN ORTEGA
  • Instagram
  • Instagram
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  • Twitter

Projects

Traces(2021)

5:32 (2020)

UP TO TWO (2020)

INFORMATION INSTALLATION (2019)

METAL WORK (2019)

UNTITLED (2020)

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